European Digital Cinema Security White book


Editie 1

This book results from the work of the Enhanced Digital Cinema (EDcine) project established by the European Commission in the context of the Networked Audio Visual line of the 6th framework of IST (Information Society and Technology).
The worl


Paperback - In het Engels 13,50 €

Gegevens


Uitgever
Presses universitaires de Louvain
Auteur
EDCINE Consortium,
Collectie
SIMILAR
Taal
Engels
Categorie uitgever
> Toegepaste wetenschappen > Informatica > Grafische vormgeving en multimedia
BISAC Subject Heading
COM000000 COMPUTERS
Onix Audience Codes
06 Professional and scholarly
CLIL (2013)
3238 Réseaux et Télécommunications
Voor het eerst gepubliceerd
2007
Type werk
Monografie

Paperback


Publicatie datum
01 januari 2007
ISBN-13
9782874630903
Omvang
Aantal pagina's hoofdinhoud : 266
Code
77347
Formaat
14,5 x 20,5 x 1,4 cm
Gewicht
393 grams
Aanbevolen verkoopprijs
13,50 €
ONIX XML
Version 2.1, Version 3

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ACKNOWLEDGEMENTS.........................................9
FOREWORD........................................................11
EXECUTIVE SUMMARY........................................13
AUTHORS AND CONTRIBUTORS..........................15
CHAPTER 1
INTRODUCTION TO DIGITAL CINEMA AND
SECURITY...........................................................17
The Long Transition to Digital....................................20
Digital and Security in the Film Industry....................37
Goals..........................................................................45
CHAPTER 2
EUROPEAN CINEMA SPECIFICITY.........................47
Introduction...............................................................47
About European Cinema Fragmentation....................47
American Homogeneity versus European
Fragmentation...........................................................47
A Pan-European Future?.............................................49
CHAPTER 3
FROM CELLULOID TO DIGITAL IN EUROPE .........51
The Cinema Chain......................................................51
The Cinema Chain by Pairs........................................53
Pros and Cons with the Transition to Digital...............62
New Digital Distribution Models.................................65
CHAPTER 4
END-TO-END EUROPEAN DIGITAL CINEMA TRUST
MODEL................................................................69
Introduction...............................................................70
European Digital Cinema Model.................................78
Digital Cinema Security System Model.......................92
Conclusions..............................................................104
CHAPTER 5
DIGITAL CINEMA STANDARDS AND
SPECIFICATIONS...............................................111
DCI & SMPTE Functional Model................................111
DCI Security Specifications and SMPTE Standards...115
Trust Model with DCI/SMPTE....................................154
(Un)Completeness of DCI/SMPTE and Other Issues. .158
CHAPTER 6
THREAT ANALYSIS OF EUROPEAN DIGITAL CINEMA
.........................................................................163
Introduction.............................................................163
Context Analysis......................................................169
Threat Identification and Attack Trees.....................186
Conclusion...............................................................204
CHAPTER 7
BEYOND DCI & SMPTE: FULFILLING EUROPEAN
NEEDS..............................................................207
Financing and VPFs in European Context.................207
Europe Beyond DCI & SMPTE...................................213
End-to-End Digital Cinema Security.........................218
Watermarking and Fingerprinting............................223
Anti-Camcording......................................................228
DRM and Interoperability.........................................233
Archives...................................................................235
CHAPTER 8
CONCLUSIONS AND RECOMMENDATIONS........237
Top Security Priorities for European Digital Cinema.238
Recommendations...................................................239
REFERENCES....................................................249