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<Text textformat="02" language="fre">&#60;p&#62;Nous nous raccrocherons à ce presque décisif qui se refuse au rien. L'espoir révolutionnaire évanoui, le peuple vivant au milieu des décombres et hanté par les disparus, il a incombé aux artistes de penser ce monde inédit et d&#8217;esquisser l&#8217;esthétique d&#8217;un monde qui s&#8217;effondre.&#60;br /&#62;
Assumant l&#8217;ampleur de la catastrophe, quand tout semble devenu impossible, c&#8217;est munis des outils rudimentaires du peintre, du sculpteur ou du vidéaste qu&#8217;ils ont créé de nouveaux positionnements face au destructeur et vis-à-vis de ceux sur qui s&#8217;acharne sa destruction. Dégradation chimérique, art de la contre&#8209;esquisse, art de la collapside, de la panobscurité,&#60;br /&#62;
discrétion ab-cène, tragique ultime, confrontation au don et au deuil impossibles, refus de l&#8217;abjection, l&#8217;événement esthétique se constitue en événement éthique, et laisse émerger un lieu qui se désidentifie de la logique destructive dominante.&#60;br /&#62;
C&#8217;est à travers une analyse philosophique serrée de chacune de ces onze oeuvres que l&#8217;ouvrage entend penser l&#8217;ère de la destructivité, ce qu&#8217;elle signifie et comment s&#8217;y positionner.&#60;/p&#62;</Text>
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<Text language="fre">Onze oeuvres de Syrie. Oui, mais que peut l'art dans un pays détruit ? Presque rien, hélas&#8230;</Text>
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